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"Before the Storm / Silence as an Act of Resistance" explores the political potential of collective silence, inspired by student-led protests in Serbia and their use of silence as a form of resistance. This master thesis combines theoretical reflection and artistic practice, culminating in an event-installation staged in a forest at night. Sound is transmitted through megaphones, emphasizing the absence of speech as a material and political gesture.
The work investigates silence as a form of refusal in contexts of censorship, where not speaking becomes a way to expose suppressed language. It draws from sound studies, political theory, and new materialist thought.
The forest setting functions both as a physical site and metaphor, where non-human soundscapes—rustling, hums, and environmental noise—contrast with the absence of human voice. Megaphones, typically used for protest speech, are repurposed to amplify silence, reversing their function and creating a space of collective resonance.
Role: Concept, research, sound design
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This work is an interactive installation where texts from the archive flow through a 12-meter passage. When the visitor moves too fast or with large gestures, the computer detects that and slows — eventually stopping the flow and creating glitching textures. The concept is inspired by the children's game "Red Light, Green Light", intending to reinforce slow and conscious movement, letting the thoughts flowing on the floor come and go.
Role: Sound design & synthesis
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Chief Executive Girls is a Bremen-based interdisciplinary performance duo by Alethia Pinzón-Rodríguez and Aleksandra Mitrović exploring the realm between digital identity, speculative fiction, and embodied media. Their collaborative practice merges live performance, video feedback, and sound to explore how social media aesthetics shape human perception and behavior in hyper-mediated environments. Blending irony, sensuality, and critique, CEG's work situates itself between performance art, experimental media, and post-internet culture — building narratives that question how we perform ourselves.
Role: Sound design & concept
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Wireless Imagination is a bi-weekly radio show on Radio Punctum exploring the boundaries of sound, experimental music, and sonic art. Each episode ventures into uncharted sonic territories — from field recordings and electroacoustic compositions to dance, electronic and non bikini sounds.
Role: Music selection
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"The more the world was falling apart the more our breathing synchronized" is an interactive sound sculpture abstracting the presence of a bed — an invitation for the audience to delve into the collective experience of listening within a shared environment. The project explores the recontextualization of the bed from a sleeping room to any public space. What constitutes an invitation to one's bed and does it immediately result in being intimate? The work consists of a cube sculpture hanging in the air, equipped with an overhead sensor camera and surrounded by a 4-channel audio field that reproduces dreamscapes.
Thanks to Slava Romanov for technical and coding support and Hsun Hsiang Hsu for photographs.
Role: Sound synthesis & concept
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Two soundscapes created for a multimedia exhibition of young artist Teodora Arsić and parts of the soundtrack for her video essay presented at DKSG Belgrade in January 2024. The exhibition deals with themes of alienation and uncomfortableness and repression of those feelings, represented through various media using the form of stone as inspiration.
Role: Sound design
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An installation that deconstructs internet interaction through a live video-chatting platform, transforming it into a tangible experience via an infrared heat lamp and an embodied sound chair. A deep learning model detects categories on the video stream and translates them into heat and red light. Participants suddenly feel discomfort when they realise they are being exposed to someone without seeing them — a subversion of the gaze. The speaker in the chair opens up potential for communication with the person on the online platform, achieving interaction while excluding the visual component entirely.
Through this experiment, I criticise instant connections formed in contemporary society based on looks, social media, dating apps, and instant gratification. Translating digital interaction into heat agency, the work caricatures the potential of artificial love as a substitute for idealised romance.
Developed during "complex complex" and "expanded material imaginaries" seminars led by Ralf Baecker, in collaboration with Julia Vollmer. Exhibited at Hochschultage 2023 and "Studies of change" at Alte Pathologie Bremen. Photographed by Hsun Hsiang Hsu.
Role: Concept & design
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Inspired by Brandon LaBelle's "Sonic Agency" (2018), this sound installation explores the political potential of sound as a medium for control and resistance. It invites the audience to actively engage by reading a text aloud while being distracted by previous recordings. Participants speak into a microphone connected to a pure data patch that plays back those who previously read: "I am speaking loud so that you can hear me well…" — creating a harmony of voices that highlights the energy of community through an individualistic act of speaking. The work captures the unique resonance of the space, feedbacking into itself.
Developed as part of Petra Klusmeyer's Advanced Sound seminar at the University of the Arts Bremen. Presented at Open House 2023 and exhibited at "Izlozba zvuka" at Zez festival 2024. Thanks to Jukka Boehm for technical support and Hsun Hsiang Hsu for photographs.
Role: Concept & design
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A short animated film made for the Island of Light festival in Smogen, Sweden. The film is about metamorphosis, shape-shifting, and feeling instead of merely seeing. It takes you through the depths of imagination, where all those sea creatures reside — creatures we can never truly see but know are there as we swim and dream.
Role: Sound design
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Katka is a young sculptor from Kosice dealing with the position of female artists in Slovakia. She comes to her own truth — painful and traumatic experiences from the past, which she transforms into sculptures.
Role: Sound design
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"Hybrid Soundscapes" is a sound installation exploring how knowledge of a soundscape's origin affects its perception. Soundscapes from a WW2 memorial park and a school in Kragujevac are transmitted and shaped live in the exhibition space. Locations include the memorial park "Šumarice", where a large number of pupils were shot during WW2, juxtaposed with sounds of playful children from the First Kragujevac Gymnasium. Does a soundscape carry the whole context of its landscape?
Opened 06.09.2021 at UK "Parobrod" in Belgrade, with visuals by Emilija Terzić and Igor Rajić. Also presented at ZEZ festival Zagreb (June 2022) and Sound Kitchen at Prague Quadriennale.
Role: Concept & design